Archive for April, 2008

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Everything Hurts

April 30, 2008

By WR Jones

    I had leave work in the middle of the morning yesterday to head home and put ice on my back.  Yet another gym injury.  I could see it coming when that dufuss instructor started the double exercise of squats and lifting weights overhead, but I did it anyway. 

    My knee hurts most of the time, I’ve several back injuries, my shoulder hurts, my right forearm hurts with each keystroke.  Now I’ve switched to using the mouse with my left hand.  I tried mixing paint left handed.  It was 9:00 PM before I had the color mixed to catch that sunrise.

    My brain is deteriorating every bit as fast as the rest of me.  I don’t like to be a pessimist but I can see myself on my deathbed smoking one last cigar and reading one last headline:

    FDA Approves New Drug To Extend Life Another 150 Years - To Cost $17 Per Month.

RATSHIT!

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My Fantasy

April 29, 2008

by Lisa

       Sometimes, when painting is not going well, and more than one student is blaming me for their inability to paint like Sargent, and I realize I will never be a marketing genious and make money at this by adding bible verses to my paintings, and Bill annoys the shit out of me, I dream of the day that I never have to paint again.

       Here, if you would, go to http://www.last.fm/user/Artist855, and search for Christopher Gunning - Lisieux to play as the perfect accompanyment for the following fantasy of mine. I did my best to add it to this post automatically, but it got way too complicated for my time and attention span:

       I am wandering around a gallery of every painting and drawing I have ever done. No wait, that won’t work. I am wandering around a gallery of every GOOD painting and drawing I have ever done. (Fantasies cannot be nightmares.) Of course, picture me in a flowing Vera Wang gown please, and ballet slippers as I should appear to float effortlessly like a stylish ballerina. I go from painting to painting and as I pause at each piece, the memory of the time and circumstance in which it was painted dissolves in and out. Then, with a graceful tharpian wave of my body, the piece disappears entirely from the wall  Oh yea. I move onto the next. Slowly my life unfolds through my work, and as I get to the very last one, I can’t resist picking up a paint brush and fixing one last freaking thing on it. The accompanying dissolve shows me sitting here at my computer with bed hair, and coffee breath in my jammies watching the clock going, “damn I need to finish this and get out of here”.

       Finally, I move to the door of the gallery turning one last time to look at the empty walls. The room is now filled with people. On one side is people I have known in the past who have said things to me like “You call yourself an artist and you don’t know what figure/ground ambiguity is?” as well as every juror who rejected a piece of mine from a show. With one last salutatory gesture with my middle finger they disappear — into a ball of fire. On the other side of the room are painters like my beloved Odd Nerdrum, David Leffel, and Gregg Kreutz. With my smile tinged with melancholy, but hopes for a new future I blow them a kiss. They dissappear into a cascade of sparkling fairy dust as I pirhouette and with one grande jete I bound from the door never to be seen by the art world again.

And at midnight I am back in my ragged jeans and my paint stained shirt cursing the day I switched from pre-med to artist.

 

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Preorder

April 28, 2008

By W. R. Jones

    I’m going painting for the next two weeks.  As a clairvoyant, I think this could be a painting of my trip.  It is a view from a park and ride in Camarillo looking back toward Thousand Oaks.  As soon as the painting was finished I wished I had rotated right about 40 degrees for a better scene including a mountain. 

    I couldn’t get this field worker to move to the right so I could paint the motif I preferred.  The only Spanish I know being, (where is the bathroom - sometimes my accent throws them off even with this question - my backup Spanglish version “is it ok if I pee here?”) wasn’t applicable in this case.  Oh, and I suggest you be careful where you use my Spanglish phrase; it is not good in most restaurants.  After a couple of beatings I was able to absorb this lesson.

     I was so pissed off by my inability to communicate with this woman, I screamed “La Migra”, and damned if she didn’t freeze.  This is a valuable piece of information for future field studies.  She stayed like this ’til I yelled out my window as I drove off, “ALL CLEAR”.   I think she was trying to look like a turnip.

    The logical reason to think this might represent my upcoming “party time” trip is that I have been doing my checkbook balancing for the last few weeks.  I’ve managed to go from minus $14,000 down to minus $500.  I didn’t actually take in any more money I just decided to leave out some of those bigger checks I’ve written.  After repeated attempts to get a positive outcome I could clearly see they were being obstructive.

    But then I’m thinking that minus $500 doesn’t look all that promising for an upscale vacation anyway.  This spot is about as far as I will get with the gas I can afford, and it looks like I may be sleeping here as well.  I could end up in the field picking for a little something to eat.  I’m going to practice shouting “La Migra” and see how long I can hold my position.

    I’m hoping my neighbor will leave his car out in the driveway before I leave.  That should get me enough gas to get past this location.  I should be safe as he is so busy watching his flowers in the back yard.

    By the way I sold this painting to Hillary Clinton for $3000.   Ok, that is a lie.  I thought if I sold something to a famous person my work would be more desirable. 

    I’m off to paint the wild west, native Americans, flowers, cactus, and maybe a few bars.  This will be followed by a lecture tour coming to your area.  Advance tickets can be purchased by emailing me $5 cash.

    Once this lecture series about my fabulous landscapes begins I expect the value of these pieces to skyrocket.  For this reason I want to give you, my faithful readers, the opportunity to preorder these works of great beauty.  To get in on this onetime (unless it actually works) chance at owning a genuine BJ, email another $5 cash.  For those of you who can’t balance a checkbook with my skill, that is $15 total for the lecture and the little square of canvas.

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Engineer

April 25, 2008

By W. R. Jones

 

    Ok, this is an image that has no relationship to the anecdote of this post.  If you feel you need an illustration to match the story, do it yourself.  Email it to me at wjones@sjm.com and I will include it here.  You might want to seriously consider this opportunity as you know, as well as I, with near certainty, this entire blog will someday be hanging in the Metropolitan Museum of Art, with notorized copies in the Louvre and Hermitage.  This is your chance for a slice of immorality immortality.

    Recently, while using some creative reconcilliation techniques, which included new ways of addition and subtraction, to get the checkbook to edge near the black, I recalled a morning by a pool with a group of housewifes.

    They were bitching about their husbands.  The whole morning I never heard one of them say a positive word in regards to their men.  One by one they rattled off the traits they found irritating.  “My husband makes me balance our checkbook to the penny.”  I replied, “Well, you should balance to the penny, otherwise you are doing something wrong and this may mean you are way off.”   Another, “My husband expects me to check the oil every time I get gas.”  Me, “This makes sense, running out of oil can damage the car.”  “My, idiot husband wants me to press his damn shirts.”  Me, “That sounds normal, do you want him to go to work wrinkled?” 

    On and on it went; everytime one would say something negative I would point out the benefits of that particular trait.  Finally, one woman jumped up and screamed at me, “GOD DAMN IT, I BET YOU ARE A GOD DAMNED ENGINEER TOO!”

    Touché.   So this is the reason I can’t get a date.  Virtually every woman hates my personality traits.   Since that day I’ve been making the transition from engineer to painter.  I’m not there yet but I’m making progress.  My checkbook doesn’t balance and my oil light just came on.

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The World Is Going To Hell

April 24, 2008

by Lisa

       This is the demo I did for my class yesterday. I only had a few students because half of them were at a workshop at another art school whose name I will not publish here in case I should lose the other half of my class to LA Fig. On Wednesdays, talk invariably turns into a discussion of American Idol, of which, for the first time, I have become sucked in. We all speculated that it would be Brook, or Jason that would go last night. That was when we thought America had a LICK of sense.

       What was up with THAT??? Carly Smithson you bozo’s? Who is voting for these singers. I admit, I do not. And I should. Because I clearly recognize that Carly is far and away more talented than Jason Castro. Oh but he has the bedroom eyes. Is it a bunch of teeny boppers voting on their little pink cell phones? Pah-lease. I am depressed today. I will totally miss Carly next week. I don’t even think I will watch the show, because there is no hope left in this world. The environment is going to hell, our economy is in the shitter, Laura Bush wore white when the Pope came, and CARLY SMITHSON GOT VOTED OFF.

       Simon, please compliment Jason Casto next week. Tell him of all the contestants, you would choose to sleep with him first.

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The Study

April 23, 2008

By W. R. Jones

    A study for the general painting population is a trial of ideas or gathering of information in preparation for a generally larger, more complete, and more finished final painting.  Painters such as Bouguereau and Norman Rockwell produced studies that are beautiful works of art.  But for them they were stepping stones to the real work.  The study might be of a composition or a drapery layout or body parts such as heads, hands, etc.

    If I had any sense whatsoever, and apparently I don’t, I would do studies.  Instead I invariably opt to start right in on my latest great idea.  Then I paint myself in to a compositional corner.  I’m always confident I can come up with a brilliant solution and paint my way out.  I can’t figure where this confidence comes from given my near 100% failure rate.

    Lisa’s last post was a study, not a completed painting as was asked in a comment.  She does wonderful small studies of her still lifes.  She swore on her mother’s grave she would give me one.  Never happened; I found out later she wasn’t standing on her mother’s grave.  It was the compost pile for her tomato crop.

    I use the word “study” as a euphemism for a bad painting.  Thus I have done a LOT of studies.  “What are you painting there, Bill?”  “Oh, I’m doing a study of a cow in a field.”  “Really?  It looks like a rock.”  “That’s why it is called a study, you twit.”   “Now what are you painting?”  “I’m doing a study of a rabbit skull in the desert.  Also, I’m including an orange poppy.  It is a major study.”  “Wow, you really work hard.  Funny how your rabbit looks like a rock.  And, you say orange?  Did you mean red?”

    I’ve done so many pieces that needed to be buried that my wife doesn’t believe I paint at all.  She doesn’t trust me when I say I’m going painting.  So now I’ve got to bring a “study” home with me whenever I say I’m going to paint.  I’ve been doing a lot of garage sales looking for old paintings to take home to cover my tracks as it were.  When I find one I brush it with a thin layer of Mazola oil to make it look wet.  Hey, I’m still one step ahead of that woman.

    I actually was painting for this back study.  Not this particular piece but I did have this view.  Somewhere in the first 5 minutes of the pose my painting went far awry.  Christ! Not again.  What am I going to do, I’ve been away from home for 2 days, I’ve got to bring back a painting.  I can’t reuse that story that I was robbed again.  I think 3 times is the limit on that if I want to maintain credibility.

    The woman painting next to me did this work, bless her heart.  I slipped outside during the final break and set off her car alarm.  When she responded, I swapped paintings with her then packed her stuff.  She came back puzzled about her car.  I told her I put her stuff away since the session was almost over.  She thanked me and left.  I expect when she got home she was even more puzzled about her black male back study looking like blond white female breasts (ok, ok, rocks).  This may be the reasoning behind the mantra paint what you see not what you know.

    My chances of getting caught; slim and none.  I’ve been watching CSI.  When I snatched the painting I grabbed it putting my thumb in the wet paint.   Thus MY thumbprint is on it.  I removed any hair from the paint and put one of my three remaining strands in its place.  I licked it to may sure it was my saliva on the canvass.  She was a spitter so that had me worried.  Mostly she hit the big trash can, but that fellow standing in front of her had a fair amount hit him in the back.  I wonder how he will explain those tobacco stains.   Will she see this painting?  You calculate the probability - world population 6.6 billion divided into the number of readers (3).  I think I’m safe.

   I’m feeling a little ill now.  I wish I hadn’t licked quite so much of those cadmimums.

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Posting Protocol

April 22, 2008

by Lisa

       With regard to Bill’s last post and his comments that I complained about his straying from the subject, how would you all like it if I ran this picture of a study I just did, and without telling you a thing about it, launched into a tirade about the tennis game I had last weekend. I am referring here to the game that my partner and I lost against the Witches of North Ranch, and I am just a tad bitter about it. But what is really more important here? The game, or the business of painting?

       I will tell you that I have a bruise on my leg from being clobbered with a ball by the offending team that is the size of a – well – a tennis ball.  That was after the Witches of North Ranch Country Club got all pissy with us about our line calls (for those of you who are tennis illiterate, a line call is the determination made by the receiving team as to whether or not the ball is in i.e. hits the line. The team who hit the ball wants it to be called in of course, and can get decidedly cranky when balls that are close to the line get called out. The team who is losing receiving certainly has a vested interested in seeing that the ball is out, and often this can color ones line calls, unless you are Donna and Lisa playing perfectly fair tennis).  They ended up requesting linesmen to judge the calls in matters of dispute, AFTER WHICH, sure enough, they didn’t have one more issue with whether our calls were good or not. Since THEY didn’t like the calls, and THEY called for linesmen, and THEY didn’t question another one of our calls after that, the boat was suspiciously leaking on THEIR side. And then they beat us anyway.  

       But no. I am here to discuss painting. Not the fact that this is the same team that barred me from entering their hotsy-totsy plastic people clicky picky club for having - horror of horrors - BLUE JEANS on. You all may recall that little rant I had some months ago. Went all the way over there to watch my teammates play in the playoff, and BOOM, I’m sorry, but we don’t let white trash like you in with your denim to darken the door of our holy shrine club.   No. I don’t think I’ll soon forget this. Not with my memory as sharp as it is.

 

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Running With, er From The Big Dogs

April 21, 2008

By W.R. Jones

    Before I get started with today’s story, Saturday I recieved, via mail, a notorized complaint from, guess who, Lisa.  Now she claims my images don’t correlate well (the formal complaint said AT ALL) with my writing.  Ridiculous, e.g. today’s connection is obvious to the most casual observer.  To wit, I’m writing about dogs.  This woman looks like she belongs on an 18 wheeler mud flap.  Truck drivers like dogs.  Nuff said?

    Anyway, the images aren’t meant to be illustrations, they are for those people who can’t read and come here to look at the pictures like when you ”read” a People magazine.  The writing part is for those who come seeking fine literature that delivers inspirational tales of courage, moral fiber, and parsimony.

    When I get home from work and haul out his little harness, Mango positively vibrates (no ladies, he is not for sale).  He can’t wait to get started marking his territory.  Here is something I find interesting -

when he uses his back yard commode he does not lift his leg.  As soon as he hits the streets, up goes the leg.  I like that he is conscious of his public image as a killer.  I removed the sports magazine from this photo as I did not want to cause undue envy for those visitors whos dogs can’t read.

   Our walk is 3.5 miles.  After the first block he runs out of water but still lifts his leg sybolically to anything vertical.  After 6 blocks he runs out of steam as well and sits waiting to be picked up.  I have to carry him the rest of the way.  He is not too heavy but carrying him so many miles has given me dog elbow.  The only positive note for me is when someone with a big dog passes; I ask them, can they carry their dog like this?

   On our route is a BIG dog that HATES us.  We can’t see him because he is behind a block wall.  We hear his hatred.  I know he is big because to make a sound like that you need vocal cords the length of a bass violin.  Mango and I torment him because we can.  I don’t like his attitude.  If I could do it without his seeing me I would like to reach over the wall and poke him in the ribs with a stick.  I was always afraid to do this because if he saw my face he might recognise me someday out on a lonely street.

    One day we were passing his wall when I looked up the street to see, about 2 to 3 blocks ahead, a MONSTER dog running full out directly at us, his eyes focused on me like a supreme predator.  No leash, no owner.  My very first thought was that I would have to sacrifice Mango.  I really couldn’t see the point of both of us dying, especially me.

    It is amazing how fast the mind processes information when faced with danger.  In a pair of seconds I realized that if I went home without Mango I’d be finished anyway.  My wife wouldn’t feed me anymore.  I don’t know how to take care of myself (I’ve always lived the live of a real man after all).  I would slowly starve to death.

   I put Mango up on the block wall then hoisted (actually jumped like a damn cat) up myself, tearing a button off my sports coat.  The wall is only 5 inches wide.  I was standing on that 5 inches holding Mango fighting the vertigo caused by the BIG dog that HATES us lunging up from the inside of the wall.  He was going berserk in his efforts to have us.

   I tried to shout for help but the only thing that came out of my mouth were these little chittering sounds.  When monster dog arrived, he put his paws, which reached the top of the wall, up and started wagging his tail.  I wanted to get down and kick his ass for scaring us like that but felt the wagging tail might be a lure like those angle fish use.  I waited until he left.

   When my voice came back to me on the way home I asked Mango, “Hey, Mango, what is that smell?  Did you soil yourself too?  Let’s not mention this to grandma, some things should be kept between gentlemen.”

   He asked how I was going to explain the jacket.  I said I’d think of something.

 

 

 

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Coming Clean

April 18, 2008

by Lisa

       So when the nice man from the Museum of Natural History (my lawyer recommended that I not mention which museum) contacted me via email yesterday to inquire as to exactly where in the desert I had come across the tyranosaurus rex skeleton I decided I would have to come clean. I told him it was really a staple remover that I had located on the internet, and I explained as to how I have this blog partner who was acting like a woman scorned because I had not bent over backwards and sideways to furnish him with a picture of my actual desert treasure. That’s when I got an email from the people who make the staple remover. Something about royalties. I can’t win.

        I have decided that Bill really does need a reference shot for that painting he posted yesterday since I cannot tell what the hell that thing is in the foreground. I do wish he had jumped on my first offer, and painted the rex in there. I’d of gotten a really good laugh out of it. Okay, I’m s-s-sor-sor-sorry Bill.  Ouch. That hurt.

       Here is your picture for real:

       Forever your dearest blog partner,

                            Lisa

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One Poppy And A Bone To Pick

April 17, 2008

By W.R. Jones

    Lisa is whining again.  I SO put her out by asking for a photo.  A Herculean task to be sure.  Let us see, that would require selecting the file, another click to attach it to an email, and yet a third click to send it.  OK, I can see why she would balk.  That would tucker out her tennis playing arm and leave her team vulnerable to defeat. 

HERE IS THE REST OF THE STORY -

    She told me about this fantastic painting trip with hills aglow with blooming poppies.  Orange as far as the eye could see and she had found this wonderful complete set of bones which looked, to her trained eye, to be tyrannosaurus rex remains. 

    With my secret desire to be an old lady flower painter I headed off into the desert looking for these floral vistas.  Here is what Lisa directed me to.  ONE damn poppy, and the little orphan wasn’t even in the right place for my painting.  I had to dig him up and move him.

    After she mentioned bones, it occurred to me they might work in my piece.  Once locked on to this concept I couldn’t let it go even after that lazy woman’s refusal to help me.  I had to go back to the desert, shoot Peter Cottontail, skin him, then set for months waiting for the bones to bleach.  I lost over two months wages while I sat in the desert over these bones.  For that reason I’m raising my price on this piece only to $12.  Once again I will cover the cost of framing, shipping, insurance, and a piece of Lime pie that I will include as a good will gesture to you, the first person to ever buy one of my paintings.

    And thanks a lot, Lisa, for showing me those bones you found.  Now you’ve put me off plein air painting entirely.  I’m not going if they have creatures like this out there, and something even bigger may have killed this one.

    I’m going to create a plein air enviornment in the safety of my home.  I will add a sunlamp then connect an umbrella to my easel to block it.  Then another sunlamp to shine directly on the palette to simulate the umbrella not working worth a damn.  I have a atmosphere program which lets you select from 50 birds and 30 insect sounds.  It also has cows, dogs, horses, church bells, etc.  I will play that.  Depending on the insects I select I may have to put on some insect repellant.  I will put some books and a pail of water under one foot to simulate standing in a stream for that perfect view.   Finally, I will tape a National Geographic outdoor photo to the easel.  That’s the scene I’m painting.

    There’s no worries about copyright here.  My copies are so poor there is no way anyone will recognize a connection, and even if they did, no jury is going to convict me.  They would jump up in unison and say, “Let the poor old devil go.  Just look at his work; he has suffered enough.”